The Orange Prize shortlist is announced, and the interesting story of Rosie Alison, the shortlister who didn't get a single national review, becomes even more interesting: turns out she had a prominent books industry connection she made a point of not using, and her now shortlisted novel was turned down over and over until independent Alma Books picked it up.
And Daisy Goodwin continues with her theme of too much misery in women's fiction: 'The Lovely Bones has a lot to answer for', we are told she says today.
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