Today the Bitch abandons her principles. Regular readers of this blog will be familiar with my arguments against biographical readings of fiction, and as a writer in the past I've avoided discussions about the real-life triggers or 'components' of my fiction as reductive and leading to mistaken biographical readings of my work as a whole. Many of the questions of my virtual book tour, however, have centred on the writing process, so it's sometimes been hard to avoid.
This week the question has arisen: precisely HOW do I turn a real-life incident in to a fiction?, and I have had to bite the bullet.
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